However, the event was overshadowed by an unexpected tragedy involving the franchise's villain, John Kreese (Martin Kove). Kreese's knife, known as the "Eunjangdo", became a key element in the ...

John is originally from a suburb of Chicago, IL, but moved away to Arizona for school. He is thrilled to be back in the Midwest. Outside of work, John loves to play pickleball, hang out with friends, ...

IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news ...

The gospel of John is dramatically different than the synoptic gospels (Matthew, Mark and Luke). Instead of organizing historical events into a chronology, John presents Jesus in all of his ...

The Karate Kid franchise has addressed Mr. Miyagi's first name several times through the decades, but it's still unclear ...

John Werner has created a career out of bringing ideas, networks and people together to generate powerful results. John is a Managing Director and Partner at Link Ventures. John’s deep curiosity ...

And now his story has just five episodes left. But first, some context. Johnny Lawrence and John Kreese have a complicated history. Johnny was Kreese’s student in the first Karate Kid movie ...

Come on now, how much do we love hearing Hubie Brown call NBA games? Of course we do. He’s a Basketball Hall of Famer, one of the best this league has ever seen. The cadence and style are ...

The best shows on Netflix include Mo, Cassandra, The Recruit, American Manhunt: O.J. Simpson, The Night Agent, The Walking ...

John Brown, a Scottish gillie who had previously accompanied Victoria when horse riding at Balmoral before she was widowed, managed to break through societal boundaries and befriend the Queen.

LEXINGTON — The irony of Arkansas coach John Calipari bringing his new team to Rupp Arena to beat his old one, 89-79, was that all Kentucky fans wanted him to do was to change a bit with the times.

Did genre painting exist in the early twentieth century? This question forms the premise of John Fagg’s Re-envisioning the Everyday: American Genre Scenes, 1905–1945.