A madrigal is a form of secular vocal music most typical of the Renaissance (15th–16th centuries) and early Baroque (1600–1750) [citation needed] periods, although revisited by some later European composers. [1]

The meaning of MADRIGAL is a medieval short lyrical poem in a strict poetic form.

2021年8月17日 · A madrigal is a type of secular, polyphonic song that became popular during Europe's Renaissance and early Baroque periods. Traditional madrigals are performed a cappella, with two to eight voice parts on a given madrigal.

madrigal, form of vocal chamber music that originated in northern Italy during the 14th century, declined and all but disappeared in the 15th, flourished anew in the 16th, and ultimately achieved international status in the late 16th and early 17th centuries.

2024年5月23日 · A madrigal is a piece of music which is intended to be sung by two to six voices in polyphonic harmony. This musical form ranges widely in style and content, although most madrigals are secular compositions, with love being a popular theme, especially in later 17th century madrigals.

While madirgali spirituali did exist, madrigals tended to be secular: often amorous, but also satirical, allegorical or vividly illustrative. They presumed good amateurs – there may be …

A madrigal is a special kind of song for a small group of people to sing. Madrigals were popular in the 16th and 17th centuries. This was the end of the Renaissance music and beginning of the Baroque periods. They started in Italy and became very popular for a short time in England as well as in France.

madrigal, Form of vocal chamber music, usually polyphonic and unaccompanied, of the 16th–17th centuries. It originated and developed in Italy, under the influence of the French chanson and the Italian frottola. Usually written for three to six voices, madrigals came to be sung widely as a social activity by cultivated amateurs, male and female.

2018年4月26日 · Madrigal is the name of a musical genre for voices that set mostly secular poetry in two epochs: the first occurred during the 14th century; the second in the 16th and early 17th centuries. There is no connection between the two; it is only happenstance that the same word labeled very different genres in two different periods.

At the time of the Italian madrigal’s fullest flowering, German composers derived much inspiration from the south while still contriving to retain something of their earlier heritage.