16 years since the duo’s last onscreen adventure, Wallace & Gromit will be back on our TVs this Christmas. Here, we speak to its creator and director Nick Park, co-director Merlin Crossingham and supervising animator Will Becher to take a look at the legacy of the adored animation.

2024年12月17日 · This year, projects developing cultural archives certainly captured our attention. Whether on a large scale like Mo’min Swaitat’s Palestinian Sound Archive or the V&A’s queer history of photography, or in smaller, more personal collections like Perimeter Books’Autophoto: A Life in Portraits (of the most photographed man in Australia).These …

2024年12月17日 · 2024: A rollercoaster year where great creativity and storytelling triumphed.

From comics to editorial spots, hand-drawn to digital, 2D to 3D, here we showcase fantastic illustrators and their inspiring work...

2024年12月4日 · INT: Initially, how did you hope to convey the theme in the overall art direction for this year’s campaign? RW: The themes of reinvention, evolution and merging genres come to life in many different ways, beginning with an art direction that loops, transforms, and celebrates the energy of this unique moment in time. This includes vibrant colour combinations, playful …

2024年12月16日 · If You Could is a creative jobs board and a sister company to It’s Nice That. Every week, we post an article showcasing the best opportunities that have been posted by employers.

2024年11月11日 · Jessica Walsh, celebrated for her unapologetically bold approach at &Walsh, has long believed that a brand’s quirks are its greatest strengths. Through a process she calls “brand therapy”, Jessica helps her clients uncover the “weird” that sets them apart. “We believe every brand has something weird or different about them, and that’s their most valuable …

2024年12月9日 · The hit multimedia puppet show Don’t Hug Me I’m Scared (DHMIS) from Blinkink, and directors Becky Sloan and Joe Pelling has come full circle with a new website – published some 13 years after Don’t Hug Me I’m Scared was first launched on YouTube. “We wanted a place for people outside of the UK to see the Channel 4 show and for reasons we …

2022年9月23日 · DHMIS has always juggled numerous creative practices; in the past, the show has merged the likes of live action, claymation, animation and puppetry. The new series is no different. Hugo explains that production for the Channel 4 iteration ran out of a huge studio in Canada Water, with two live-action units led by Joe and Becky, another stop-motion unit on …

2024年1月31日 · Despite Connare’s efforts, the speech bubbles that Rover talked in were only designed to the size specifications of Times New Roman and as Comic Sans was slightly bigger, and given the little time that was left on the Bob project, the decision was made to scrap it – so Microsoft Bob was released Comic Sans-less. When all hope seemed to have dissipated, …